A Well-Formatted Claude Monet Essay: The Saint-Lazare Station

Explain How Monet Conveyed an Attitude about Modern Parisian Life in the Painting

Claude Monet isn't only an impressionist. He is one of the more spectacular personalities of this style. Strange, elusive, dissolved in the air art pieces do not only represent living on the canvas. They lure the audience to the atmosphere of the time. None the less, despite the diversity of subjects and different stages of his creative life, Monet devotes his life mostly to the reproduction of France through his eyes. “The Saint-Lazare Station” is now one of the most memorable paintings. The overriding point is to find out how Monet conveyed an attitude about modern Parisian life in the picture.

To begin with, the famous painting “The Saint-Lazare Station” is the starting place of the complete series (Monet, 1877). The entire painting is really a bit blurred because of depicted trains and morning mist. Each of the three represented trains departs coming. Because the outlines are clouded, people are nearly not visible. The most precise figure is really a man in a classy suit with a hat on his head. All other characters of this one-second film usually do not even have precise contours. Near the top of the picture, it is an arched glass ceiling of the station square. The roof of the station is still under repair. The rails have emerged in the below area of the artwork. In the distance, the outlines of French buildings and the contours of the city are traced (Monet, 1877). Monet paid much attention to the colour scheme. The picture is drawn in beige-blue, the brown earth and the trains are of bright color spots.

Secondly, to convey the light-and-air environment, he analyzed the objects in a fresh way, abandoning the rules which were taught in the workshops, and completely trusted his eyesight. To forget such basic principles of academic painting as drawing and gradual transition from light to shadow, Monet makes both figures and the environment by using generalized light spots, the shades, and colors which depend only on lighting. There are no clear contours of objects. They appear to be blurred with the light of air movement. It really is clear that Monet has both another attitude to color and approach for displaying the truth. The very texture of the picture intensifies the sensation of the movement of air. It ceases to be smooth but consists of individual smudges. In the works of this period, attention is drawn to the integrity of the artist’s perception of the momentary events. Considering them, the viewer gets the impression of a personal presence at this endless moment of life, filled up with sun, light, a crowd of people and industrial figures.

Every conceivable indicator makes the purpose; the painter has done much work on creating his very style, evolving from the fundamental concept of the depicted sketch-picture to the analytical approach. The picture is all about the transition. “The Saint-Lazare Station” was a turning point in the creative work of Claude Monet, when Paris and life inside began to resemble a theatrical performance from some movie. From close-ups, parts of railway life to spacious, epic panoramas might have become a great imprint of the each and every day environment. There clearly was hardly painting in the world which can be compared with Monet`s “The Saint-Lazare Station. ” It can be explained in many aspects. The picture is saturated in a novelty of the motive. It generates the reality of the Iron Age seem like a thing of beauty while preserving the freedom of painting.

It's worthy to see that this picture reflects the nice strength of the moment of transient life. All items are dissolved in the quivering air, filled with ghostly moving vapor, a whimsical dance of transparent shadows, the immateriality of which could contrast with the heavy carcasses of locomotives. Furthermore, things that be seemingly the least artistic in the picture is full of logical industrial forms.

What's astounding, this undeniable power of the brand new reality is filled up with the mare`s nest of pictorial matter. The arches of the station, rails, locomotives, and arrows are so substantive albeit dissolved in the extravaganza of pulsating, trembling, condensing and melting strokes. All of the elements create the truth of a purely pictorial spectacle effectively and accurately, where even trains are saturated with airy multicolored-ness.

In conclusion, everything that was mentioned above, the Parisian life through Monet`s eyes could be the “railway Paris. ” “The Saint-Lazare Station” can be construed as the place where the magical conjunction of the romantic space occurs. Even ordinary and boring trains become a part of something ingenious. People that are rushing to work are actors of a multi-series movie. Even the fog in the art piece is demonstrated as a unique effect. Claude Monet masterfully made every ordinary thing beautiful, going for lightness, airiness and full of romantic notes.

REFERENCES

Monet, C. (1877). The Saint-Lazare Station. Retrieved from https://www.claude-monet.com/the-saint-lazare-station.jsp